Prologue
“Sex and the Gimpy Girl” Nancy Mairs ◆ “Bakersfield” Tracy Daugherty ◆ “Small Rooms in Time” Ted Kooser ◆ “Dog Days” Sam Pickering ◆ “Valmiki’s Palm” David James Duncan ◆ “Monster Trucks and the White Bellaire” Sophie Beck ◆ “Stones: Turning Points” Barbara Hurd ◆ “On Dusk” Teddy Macker ◆ “Idolatry” Michelle Herman ◆ “A Backward Spring” Lee Martin ◆ “Hairdo” Tom Feeney ◆ “Laying on of Hands” Steven Harvey ◆ “Signs and Wonders” Rebecca McClanahan ◆ “The Etiquette of Being a Breast” Amy Morgenstern ◆ “The Clearwater” Kim Barnes ◆ “Among Women” Jessie Harriman ◆ “The Rage of Men” R. Glendon Brunk ◆ “The Speed of Memory” Brad K. Younkin ◆ “Shine On” Floyd Skloot ◆ “The Best Cake Made Both of Us Sad” Chris Offutt ◆ “Paddling the Middle Fork: A Love Story in Low Water” Jill Christman ◆ “It’s Me. It’s Him. It’s Them” Diana Joseph ◆ “No” Margaret MacInnis ◆ “The Oil Man” Ann M. Bauer ◆ “Danger Boys” Steven Church ◆ “At the Drive-In with My Brother” Stephen Gutierrez ◆ “Fried Eggs” Seth Sawyers ◆ “The Last of the Raccoon” Diana Hume George ◆ “Tough” Brent Spencer ◆ “The Exorcist in Love” Tom French ◆ “By Force, Threat, or Deception” Joe Mackall ◆ “Good Guys” Maureen Stanton ◆ “Ballouville” Deborah Peterson Swift ◆ “The Thirteenth Hour: The Wreck of the Sailboat Morning Dew and a Child’s Voice in the Dark” Philip Gerard ◆ “A New Journalist’s Suggestions for Daily Journalists” Gay Talese ◆ “The Body out There: The Stakes of Jon Krakauer’s Adventure Narratives” Daniel W. Lehman ◆ “When You Weren’t There: How Reporters Recreate Scenes for Narrative” Andrea Lorenz ◆ “The Writer’s Choice” Walt Harrington
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