The American Poetry Review Vol. 46 No. 1 - Jan/Feb 2017

R. Ammons: A. R. Ammons and Josephine Miles. A Correspondence (with and introduction by Jesse Nathan)Scott Edward Anderson: Owl in the Gloaming • Deaths of the PoetsTara Betts: Reunion: The Violence and the Joy of Black Lives in Aracelis Girmay's The Black MariaSarah Blake: A Poem for My Son • Nudes • The World • How We Might SurviveDaniel Borzutzky: What the Neoliberal Policy Labs Eat and Shit: Horrific Fables for a Specific UniverseMichael Broek: The New World (I) • Futures Markets • The New World (II) • Nearer Astronomies • The New World (III)Stephen Dunn: A Card from Me to Me • If It's True • Nothing Personal • The First PersonLynn Emanuel: twenty-one paragraphs Collecting the EvidenceLynn Emanuel: Lynn Emanuel interviewed by Colette LaBouff. The Architecture of Revision (Never the Same Twice)Albert Goldbarth: P. L. • When Galileo Enters My Head, I'm Thinking About My Own History with the History • Makes the Beauty • ChangeJennifer Grotz: An Anxiety of Influence for GirlsJesse Lee Kercheval: Tatiana Orono, Still Life with Defeats (translated from the Spanish by Jesse Lee Kercheval)Colette LaBouff: Lynn Emanuel interviewed by Colette LaBouff. The Architecture of Revision (Never the Same Twice)Matthew Lippman: Inside His Empty Beautiful Solitude • The Man Who Fails Most Frequently and BeautifullyJosephine Miles: A. R. Ammons and Josephine Miles. A Correspondence (with and introduction by Jesse Nathan)Joseph Millar: Southern Exposure • Mothers • Eclipse • Ancestral • Community HospitalThylias Moss: Hypnosis at the Bird Factory • This Did Not HappenTatiana Orono: Still Life with Defeats (translated from the Spanish by Jesse Lee Kercheval)Cherry Pickman: How to Keep AliveRuben Quesada: Angels in the SunSam Sax: E R A S U R EPaula Simonetti: Carolina • Milagros • What the Sad SayLayli Long Soldier: Dilate • LeftCasey Thayer: Drowning doesn't look like drowningMichael Waters: Karakul • Iesire • The Deadwood • Poetry • Remember, Body… • White FieldsEllen Dore Watson: Ode to Abstractions